Once you memorize all the chords and their relationships above, you’ll come a long way towards being able to play anything thrown at you.He has rigorously updated and edited the book for each of 7 subsequent editions. Likewise, if you have a song in D# (E flat), you could capo on 1 and play in D, or capo on 3 and play in C. For example, say a song is in A# (B flat) you could capo on the first fret, and play the A position chords, or capo on the third fret and play G position chords. By knowing all these chords, you can play a song in any key, just by capoing. Why CAGED?: The reason the chords in the keys of C, A, G, E, and D are so important is that they’re the major open root position keys available for guitarists. Below is a chart of the five important Nashville Number chords, and their corresponding chords in the keys of C, A, G, E, and D… something otherwise known as the CAGED principle for guitarists. Now that we’ve done all the hard thinking, I’ll make things real easy for you. No matter what key you play a song in, the relationship is always the same, so the Nashville Number System gives us a way to communicate that relationship no matter what key we’re playing in.
![nashville number system chart pdf nashville number system chart pdf](https://www.coursehero.com/thumb/40/24/40245cc61db439972a6e9c01772bb09af2d7ad17_180.jpg)
So what’s this whole Nashville Number System? Well, it’s pretty simple… it’s the relationship that the numbers have with playing a song in different keys. Since our chord progression goes 1 – 6m – 5 – 4, then we know the new chords for playing the song will be: So let’s go back to the Chromatic Scale chart, and apply these starting with D.
![nashville number system chart pdf nashville number system chart pdf](https://www.fachords.com/static/fachords3/images/circle-of-fifths/circle-of-fifths-intro.jpg)
If you remember in part one, we found the relationship between notes on the major scale to be
#NASHVILLE NUMBER SYSTEM CHART PDF HOW TO#
Now we have to determine how to change or in musical terms “transpose” the song into the key of D. The relationship of the chords in the song is 1 – 6m – 5 – 4 repeated over and over. So you put on a Sherlock Holmes hat, and go back to the C major chart above to determine which numbers match the chords. But being the observant guitar player you are, you know that there is a relationship between the chords that stays the same, no matter what key you play in. If you didn’t know the relationship between the chords, you might be lost. the verses to Katheryn Scott’s song “Hungry” follow this progression) Now say your worship leader comes to you and says he or she would rather do the song in the key of D. Imagine having a chord chart in front of you of a song in the key of C… it repeats the chords C, Am, G, and F over and over. They’re called the Nashville Number System. These numbers (and ultimately the relationship they show) have a name in music circles. Now why are we mentioning the numbers 1,2,4,5 and 6, instead of just the chord names? The reason is the numbers show us the relationship between the notes and chords that are important to us. These five chords are very important in worship music, I’d go as far as saying that 80 percent of all worship songs contain only these chords or some variation of them. 4 or F has the name of “subdominant”, and 6 minor or A minor is called the “relative minor.” Some songs also include the 2 minor chord, (D minor) too.
![nashville number system chart pdf nashville number system chart pdf](http://3.bp.blogspot.com/-ZzIaOUM5E5s/UCPyIk9YWFI/AAAAAAAAAi8/PuNiDY2iits/s280/nashville+number+system+chord+chart.jpeg)
Obviously, 1 or C is important… in music terms, it’s called the “tonic.” Also, 5 or G is big, and it is called the “dominant.” note or chord.
![nashville number system chart pdf nashville number system chart pdf](https://i.ytimg.com/vi/XvB1RUyCvMM/maxresdefault.jpg)
Working with the notes, there are a couple that have special importance. Those numbers show the relationship of notes (and also chords) to one another. Pay careful attention to the numbers above each note, because they’re very important. You’ll remember that there are seven notes in the scale, so we’re going to show all the notes below and number them 1-7, starting with C (C is equal to 1, D is equal to 2, etc.): First, let’s look again at the C major scale. Now let’s get down and dirty with applying it. Those basic pieces of information are extremely important for growing as a guitarist. Ok, I first have to thank you for suffering through the last post. It’s a printable PDF with the chromatic scale wheel, a scale interval list, all the CAGED Chords, and the notes of the guitar neck in standard tuning.
#NASHVILLE NUMBER SYSTEM CHART PDF DOWNLOAD#
Download the Music Theory Chart that goes with this lesson.